maum wrote:Powerful observation, maum. I only glanced at the screen twice, didn't catch that. Maybe it was just nerves, maybe she forget where her TelePrompTer was.
The only place KAK actually looked moved was when Dianne Wiest addressed her and said 'my beautiful daughter- she had to give up all her friends, her college, her job, her whole life'. KAK looked on the verge of tears then.
I wonder why?
Did anyone notice when Wiest first began that KAK almost violently begins grabbing her hand? It's quite distracting as KAK's arm keeps bobbing back and forth. Wiest barely holds back...
marconi, again, glad I mostly refused to look at the screen. I'd've put a foot through it. I have done minimal acting in a reader's theater setting and even I know not to get my teeth anywhere near the "scenery." It's scene-stealing, obnoxious, an insult to your fellow performers and distracting to your audience. The smirk + the hand-grabbing = assurance that Katie is no victim, but a willing tool. *ptui*
Carriage, I don't think it's the museum. It looks like he brought in his own goons who pretended to be part of the museum staff. Disgusting! MTP really believes that he can do whatever he wants to do.
I truly hope the museum didn't endorse any part of this. It's probably worth some investigation to find out.
Another thought: Having studied the World War II era a little more than other eras, it's striking that caught unawares, people will often react to "authority figures" like the semi-officially dressed goons rather reflexively, following their orders.
I"m certain that's part of why the $cientologists continue the Sea Org faux-naval uniforms and the white shirt and khaki "uniform" of its
